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Here are free basic photography tips, beginning photography tips, photography for beginner, beginner photography guidline for canon digital cameras, nikon digital camera, slr digital cameras, panasonic digital cameras, olympus digital cameras, casio digital camera users

Basic photography tips: how to use aperture, ISO sensitivity, metering modes, shutter speed, basic shooting modes on your digital cameras

Nature Photography - Natural Light For Great Wildlife Photos by Andrew Goodall

Wildlife photography combines a range of skills, both creative and technical. Many people struggle with one aspect in particular; knowing the best light for capturing their wildlife photo.

To take a top-class wildlife photograph, you need to know your animal; where to find it, how to approach it without scaring it away, and how to know the precise moment to press the button to capture the character of the subject. Often a wildlife photographer will spend hours trying to get a good shot. What a shame, then, if all that effort is wasted by taking your photo in bad light.

As a nature photographer, I have learned that the ideal light for a photo can vary depending on the subject. Landscape photos are usually best photographed in sunny weather, early in the morning or late in the afternoon when the contrast is low and the light is soft and colouful. On the hand, rainforest photography is usually best in the middle of the day, in cloudy weather to eliminate extremes of light and shade. To understand the best lighting for wildlife photography, you can take a lesson from both landscape and rainforest photography.

To get the best light for a wildlife photo, you are really looking to minimize contrast, and to eliminate shadows from important areas; most importantly across the face of the animal.

If you take your photos in the middle of a sunny day, you are bound to encounter shadows in all the wrong places. Bright light is likely to overexpose parts of the subject, while the face and the underside of the animal could be lost in heavy shadow. The result will be unattractive, and lacking in much of the detail that should give character to your photo.

There is nothing wrong with taking your wildlife photos on a sunny day. Just remember the lesson from landscape photography and seek to take your photos early in the morning and late in the afternoon. At these times the subject is illuminated from a more horizontal angle, so the full face of the animal is well-lit; you are less likely to have shadows over the eyes and other important features. If there are shadows, they will be much softer because the contrast is much lower when the sun is low in the sky.

The light at these times is also much more colourful, with the golden hues you associate with sunrise and sunset. This is a classic technique for improving landscapes, but it can be just as effective for wildlife. The warmth of the light can create an intimacy in your pictures that is completely lost in the harsh light of midday.

The second approach is to follow the rule of rainforest photography, and take your photos in overcast weather. This allows you to catch your subject in very even, low-contrast light.

I find cloudy days particularly useful for animals with glossy surfaces. Frogs, for example, have damp, shiny skin that reflects a lot of light. In glaring conditions a green frog may appear mostly grey or silver in a photo. On a cloudy day the same frog will be shown in its true colours.

Birds can often appear more colourful on a cloudy day, for the very same reason. The sun shining on glossy feathers can create a lot of reflection, robbing the photo of its natural colour. It may seem the opposite of what you would expect, but the dull light of a cloudy day can actually produce the truest colours in a bright wildlife subject.

One final question you may ask: should you use a flash to illuminate a wildlife photo? My answer to that is a definite "NO." Flash photography bathes the subject in white light, coming from directly in front of the subject. It may illuminate the subject, but at the same time rob it of the natural play of light and shade that makes a good photo so appealing.

Some wildlife photography experts use multiple flashes to brightly illuminate a subject from every possible angle. This approach can work very well, but remember; these are experts in flash photography. If you are at the beginner stage, I recommend learning to work with natural light. When you get the hang of it, I guarantee you will be happy with the results.

Andrew Goodall's top selling ebook "Photography In Plain English" is a great place to start learning the art and skills of nature photography. Find it at http://www.naturesimage.com.au along with a great collection of Andrew's landscape and wildlife photography. You can also sign up to the online newsletter for free gifts and tips on photography.

Article Source: http://EzineArticles.com/?expert=Andrew_Goodall

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Understanding Digital Cameras Exposure
Set the film speed dial to ISO 200; (If you are a film shooter, do this even if you have a roll of film in your film camera that is not ISO 200, but don’t forget to set the ISO back to the correct number when we’re done here.) Write down that shutter speed. Whether you’re in manual mode or auto-aperture-priority mode, you’ll see that your light meter is indicating a different shutter speed for a correct exposure. Once again, write down this shutter speed. When you change from ISO 100 to ISO 200 your shutter speed changed: from 1/125s to 1/250s or perhaps something like from 1/160s to 1/320s. Just as each halving of the shutter speed is called 1 stop, each change from ISO 100 to ISO 200 to ISO 400 is considered a 1-stop increase (an increase of worker bees).

Basic Phototography Tips: Aperture, Shutter Speed, ISO, Light Meter and more for beginner photographers

12 Creative Photography Ideas by John Huegel

Here are 12 ideas to get your creative juices flowing and increase your skills and value as a photographer.

TIP 1 - Time Lapse photos. I showed my niece how to do this with clay figures and stitch the resulting frames together into a video file, and she was busy for days. If you control the exposure consistently to keep the images consistent with one another, you can do some really fun stop-motion animation. Or, you can set up your camera to capture other slow motion effects such as flowers opening and seedlings growing. Read more...

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